De la Scène à la Toile
The Fabrique Culturelle is a venue in Abidjan located at the crossroads of a working-class neighbourhood and an affluent neighbourhood, which allows it to fulfil one of its principal missions: social diversity. Its multidisciplinary programming (theatre, dance, music, circus, cinema), its residencies and its mediation activities make it a meeting place for artists, audiences and schools.
Driven to experiment with digital broadcasting by the closure of cultural venues during the pandemic, the cultural space La Fabrique noted the public's interest in this format. This is how "From the stage to the Web" was born, a project of physical broadcasting on the La Fabrique stage and digital broadcasting. It is the extension of the physical space on the web, through a dedicated platform, to guarantee regular programming on stage and to reach a new audience (diaspora, students, etc.) through digital distribution.
Togo Art Connection
Arterial Network Togo is a dynamic network of committed artists, cultural activists, associations and cultural and creative institutions. Its mission: to promote and defend cultural diversity through an organisational framework of national operators and stakeholders from all sectors of the arts and culture.
By bringing together international and local stakeholders in the performing arts for the first time via a (physical and digital) platform for networking stakeholders in the performing arts sector, the Togo Art Connection project aims to strengthen the production of quality artistic creations in Togo, to further engage local audiences in a dialogue with the performing arts and to grant more economic and structural independence to the Togolese cultural scene.
SOMETHING by Something We Africans Got
April27 is an independent publishing company and arts management consultancy that promotes and supports African art, culture, education and excellence through the SOMETHING WE AFRICANS GOT review and the magazine SWAG high profiles.
After 5 years of existence, 14 issues of the review and 7 of its magazine version, "Something We Africans Got" has become an alternative space, a space for exhibitions dedicated to the moving image, to the rediscovery of African cinema, to dialogue and the development of critical thinking. This project materialises the continuation of the exploration of the Arts of Africa and the Black World and the cultural links between the different countries of the continent and the rest of the world.
Basketteuses de Bamako
The NAMA Company keeps ancestral traditions alive, ensuring the survival of the art of puppetry and offering young people the opportunity to work in the cultural sector. Among its training courses, some are specifically aimed at women, a first in Mali where the art of puppetry was traditionally reserved for men.
The "Basketteuses de Bamako" project seeks to increase the number of women artists in Mali and to develop their contemporary artistic capacities through professional training, awareness-raising and mediation with the public. The project aims to offer a new mixed and popular artistic practice, an art that restores the traditional know-how of Malian women by innovating it through the practice of juggling.
Remembering our Legends: They left gifts behind: Can we bridge the gap?
The Academy was created in 1995 to preserve, enrich and develop the national cultural heritage of Sierra Leone in the field of music and performing arts. It provides an advanced level of instruction in both music practice and theory, as well as in conducting and directing performances.
Remembering the Legends' initiative is to nurture and encourage the artistic talents of today with a view to their future professionalisation. By introducing the public, especially the younger generation, to the little-known works of former musicians, playwrights, composers, poets and other artists, the project aims to awaken the interest of citizens in the performing arts, and to bring about a reconsideration of the cultural and creative sector as a viable route to a full or part-time career.
Art is Devel@pment
ADPP-GB works to support and empower the most vulnerable populations in Guinea-Bissau. Adapting to the reality of the country and the needs of its communities, the NGO has developed and implemented projects in 4 principal sectors: education, health, rural and community development.
The aim of the "Art is Devel@pment" project is to provide quality moving image education and creative support for existing and emerging artists who would not otherwise have access to technical or financial support to develop their entrepreneurial initiatives. It will also contribute to the digital transition of the cultural and creative sector for a wider distribution of works. Thus, through the arts, the project will work to combat extreme poverty, always with a view to inclusion and gender equality.
"Les Arts-Liances", pan-African contemporary theatre platform
This project responds to a difficulty in distributing theatrical and choreographic works in Africa, while the public's enthusiasm for these performances is still growing. The aim is therefore to create and trace a professional touring circuit for productions that will enable arts performances to tour regularly and meet their audiences. Thus, the "Arts-Liances" project promotes synergy of action between 15 performance spaces in 5 partner countries (Côte d'Ivoire, Benin, Burkina Faso, Ghana, Togo) and encourages co-production, the sharing of best practices and the programming of works created. With an eye on sustainable development, the project aims to be inclusive. It aims to mobilise artists and build audience loyalty.
A look at planned productions
- creation of 15 theatre and choreographic performances
- 180 performances
- consolidation of skills for 75 artists, 30 performance technicians and 30 employees of the performance spaces
- strengthening of technical resources of the 15 partner venues
Focus on Sokan Théâtre
After 20 years of activity, Sokan Théâtre is a cultural association recognised for promoting the arts in general and the performing arts in particular. An organisation in constant evolution, it favours and develops collaborations between artists from the South and the North. Through its achievements and in line with its objectives of inclusion, Sokan Theatre is the initiator of the Pan-African Women's Dramatic Writing Workshop "Femmes en scène".
"SARGAL", promotion of musical heritage
Produced in partnership with the Institut français in Dakar, the "SARGAL" project ("pay tribute" in Wolof) is an artistic television programme that aims to raise awareness of the great names in music by reinterpreting classics from the Senegalese and pan-African musical heritage. By allowing the public to benefit from experience of the creative process and by giving a chance to new talents, "SARGAL" wants to share the taste of live music but also to reveal and train up-and-coming artists in the art of composition, arrangement and musical production. More broadly, this project aims above all to give visibility to the audiovisual sector and its various professions, and to encourage digital inclusion by developing diversified content accessible to all.
A look at planned productions
- creation of 180 jobs
- recruitment of 45 women in production
- 60 people trained after 3 years (20 people per season)
- 45 programmes produced
- 50 international collaborations
Focus on Studio Sankara
Studio Sankara was founded in Dakar in 2003 by rapper Didier Awadi, who was looking for autonomy to carry out his artistic projects. Today, Studio Sankara is a phonographic and audiovisual production agency recognised on the national and international market for its skills, expertise, technical resources and capacity to innovate.
"Les Récréâtrales", pan-African platform for contemporary theatre
Initiated in 2002, the contemporary theatre festival Les Récréâtrales struggled to find its audience. In 2006, it decided to go out and meet them and set up in the Gounghin district of Ouagadougou. Les Récréâtrales set up its stages in family courtyards, instantly involving the local communities. It was an instant success. Thanks to the ACP-EU Culture (West Africa) - AWA programme, Les Récréâtrales intends to develop a digital platform for its creative and educational content and thus support the spread of pan-African contemporary theatre internationally, always with a view to including non-French-speaking theatre (initially Lusophone, Arabic-speaking and English-speaking) and a project for South-South and South-North artistic cooperation.
A look at planned productions
- broadcasting of at least 19 shows, including 10 creations produced or co-produced by the Récréâtrales and 3 non-French language shows
- translation and subtitling of the works presented
- representation of all regions of the African continent during the next two editions of the festival
- setting up a pan-African and international network for the distribution of works
Focus on les Récréâtales
Today the Récréâtrales – Résidences panafricaines d'écriture, de création et de recherche théâtrale (Panafrican theatre writing, creation and research residencies) – form one of the major events in contemporary theatre in French-speaking Africa. Its festival takes place every two years, from February to November, in Ouagadougou (Burkina Faso). It fosters open dialogue within the community and enables citizen engagement and empowermen
"Présence Noire dans la Danse", promotion of dance arts
More than ever, École des Sables wants to maintain its educational role and offer development opportunities to young dancers from the continent. This centre of excellence offers participants local and international artistic career opportunities. However, in order to allow black dancers to reveal themselves and to blossom outside the stereotypes of the dance world, it is essential that this course be given by teachers and researchers from Africa, its diaspora and the West Indies, in a spirit of sharing, dialogue and reciprocal exchange. Moreover, the collaborations between Pan-African dancers will be the fruit of new creations offered to festivals and a touring circuit in Europe, the United States and the world.
A look at planned productions
- Access to certified training for 30 dancers from Africa and the diaspora
- creating and nurturing different work opportunities through original choreographic writing rooted in black identity
- establishing communication tools
Focus on JANT-BI- École des Sables
Founded by Germaine Acogny and Helmut Vogt in 1998, Jant-Bi - École des Sables, the International Centre for Traditional and Contemporary African Dance, aims to provide professional training for African dancers and to develop and promote contemporary African dance. It has already trained over 700 dancers from 27 African countries.