"Les Récréâtrales", pan-African platform for contemporary theatre
Initiated in 2002, the contemporary theatre festival Les Récréâtrales struggled to find its audience. In 2006, it decided to go out and meet them and set up in the Gounghin district of Ouagadougou. Les Récréâtrales set up its stages in family courtyards, instantly involving the local communities. It was an instant success. Thanks to the ACP-EU Culture (West Africa) - AWA programme, Les Récréâtrales intends to develop a digital platform for its creative and educational content and thus support the spread of pan-African contemporary theatre internationally, always with a view to including non-French-speaking theatre (initially Lusophone, Arabic-speaking and English-speaking) and a project for South-South and South-North artistic cooperation.
A look at planned productions
- broadcasting of at least 19 shows, including 10 creations produced or co-produced by the Récréâtrales and 3 non-French language shows
- translation and subtitling of the works presented
- representation of all regions of the African continent during the next two editions of the festival
- setting up a pan-African and international network for the distribution of works
Focus on les Récréâtales
Today the Récréâtrales – Résidences panafricaines d'écriture, de création et de recherche théâtrale (Panafrican theatre writing, creation and research residencies) – form one of the major events in contemporary theatre in French-speaking Africa. Its festival takes place every two years, from February to November, in Ouagadougou (Burkina Faso). It fosters open dialogue within the community and enables citizen engagement and empowermen
"Présence Noire dans la Danse", promotion of dance arts
More than ever, École des Sables wants to maintain its educational role and offer development opportunities to young dancers from the continent. This centre of excellence offers participants local and international artistic career opportunities. However, in order to allow black dancers to reveal themselves and to blossom outside the stereotypes of the dance world, it is essential that this course be given by teachers and researchers from Africa, its diaspora and the West Indies, in a spirit of sharing, dialogue and reciprocal exchange. Moreover, the collaborations between Pan-African dancers will be the fruit of new creations offered to festivals and a touring circuit in Europe, the United States and the world.
A look at planned productions
- Access to certified training for 30 dancers from Africa and the diaspora
- creating and nurturing different work opportunities through original choreographic writing rooted in black identity
- establishing communication tools
Focus on JANT-BI- École des Sables
Founded by Germaine Acogny and Helmut Vogt in 1998, Jant-Bi - École des Sables, the International Centre for Traditional and Contemporary African Dance, aims to provide professional training for African dancers and to develop and promote contemporary African dance. It has already trained over 700 dancers from 27 African countries.
"Agir ensemble pour grandir"
The Atelier Nomade houses the École Internationale de Théâtre du Bénin as well as several performance spaces, regular venues for Beninese, Togolese, Burkinabe and Nigerian artists. In addition to the establishment of a permanent, multi-purpose troupe of some twenty talents (directors, actors, dancers, puppeteers, circus artists, etc.), the consolidation and expansion project "Agir ensemble pour grandir " includes the creation of a museum of the performing arts. By working on the synergy between 9 sub-regional theatres (6 in Benin, 1 in Togo, 1 in Niger and 1 in Burkina Faso) and the networking of their cultural content, the project intends to take advantage of the income and move towards financial autonomy, a key objective for true anchoring and sustainability.
A look at planned productions
- creation of a permanent troupe
- opening 12 small format residences and 2 large format residences
- development of a network of cultural operators from 4 neighbouring countries
- creation of a digital platform and an online ticketing service with payment of tickets by telephone
- regular animation of the three stages of the Atelier Nomade
- creation and monetisation of a performing arts museum
Focus on Atelier Nomade
Atelier Nomade opened its doors in 1992. It is now home to the École Internationale de Théâtre du Bénin, a higher education institution that prepares students for a state diploma. The two pillars of its mission are professional training and artistic creation, which enable the cultural and artistic education of young people and local communities. The theatre school often works on themes that contribute to human development and good citizenship.
"Maremusica", production and distribution of music from Cape Verde
Highly impacted by the Covid-19 pandemic, the Cape Verdean cultural industry, and even more so its independent music industry, is in danger of disappearing. To save this popular heritage, Maremusica proposes to revive traditional music in Cape Verde by relocating the entire production chain to the archipelago. From identifying new talent to the creation of labels, including the opening of recording studios and the organisation of tours, this project involves the creation of around a hundred jobs (musicians, technicians, communication, digital, etc.) and guarantees the safeguarding and revival of the popular treasure that is Cape Verdean music.
A look at planned productions
- Production of 3 albums: an established artist in the Cape Verdean musical tradition; and two young talents, male and female
- Production of a major work of traditional Cape Verdean music (Mornas) with the Symphony Orchestra of the Calouste Gulbenkian Foundation, from Portugal
- Creation of digital platforms and uploading and monetising online content
- Creating jobs in the sector and ensuring income for artists and their families
- Attracting new investors
Focus on Maremusica, Produção, edição e distribuição musical
Founded in 2016 by musician and writer Mario Lucio, former Cape Verdean Minister of Culture, Maremusica's main objective is the creative and financial independence of Cape Verdean artists, the protection of traditional music and the discovery of new talent.
"La NEUF", training, creation and production
The Malian cultural industry offers a plethora of stakeholders but is cruelly lacking in scriptwriters, costume designers and other entertainment professionals without whom works cannot exist. In response to this shortage, "La NEUF" (Nouvelle École Usine et de Formation) offers a system of training, both face-to-face and at a distance, including workshops, masterclasses and internships for dialogue with professionals. This proposal for training in the performing arts will ultimately lead to the creation of new shows to be presented during a tour of 8 cities, already established by the association. Acte SEPT also intends to involve communities in order to establish a sustainable and culturally endogenous funding mechanism, a factor in sustainable development.
A look at planned productions
- Creation of a digital platform for training
- Establishment of 16 workshops on the performing arts professions
- Creation of 8 plays
- Distribution of the 8 plays in the 8 cities of the Sirabo network
- Creation of a partner network
- Organisation of a festival
Focus on Acte SEPT
According to Acte SEPT, the project leader, "everyone must be able to participate in the cultural life of their choice and exercise their own cultural practices within the limits imposed by respect for human rights and fundamental freedoms. " Driven by this vision, the association has been working in Bamako since 1994 and has been moving to the rhythm of its Festival du Théâtre des Réalités since 1996.
« Consolidation de l'industrie Théâtrale en Afrique de l’Ouest » (CITAO)
The ICAO initiative aims to consolidate the existing collaboration between the Espace Culturel Gambidi (ECG) and its national and international partners. It is also a question of reinforcing previously established cultural actions such as the "Route des Arts" or the famous International Theatre and Puppet Festival of Ouagadougou (FITMO) now held in 6 West African countries. With the help of marketing plans and digital tools, ICAO seeks to involve young people more, encourage a wider distribution of works and generate more revenue that will allow it to perpetuate its theatrical activity.
Overview of expected productions
- training of 60 cultural operators
- creation of a web platform dedicated to the communication and marketing of content from the West African theatre sector
- production of a video documentary on the capitalisation and sharing of the project's experiences and good practices
Focus on Espace Culturel Gambidi
Born from the determination of the artists of the Théâtre de la Fraternité (a famous troupe in Burkina Faso) to have a headquarters that would be both a space for rehearsal and creation, the Espace Culturel Gambidi brings together a number of organisations including: The Centre de Formation et de Recherche en Arts Vivants (CFRAV), the Atelier International des Arts Plastiques (AIAP), the first exclusively cultural private radio station in Burkina Faso, a Media Library, a 500-seat theatre and a guest house.
"ELAN", Art of storytelling and recital
Tales, myths, initiation stories, legends and other oral poetry exist to tell and be told. These oral works convey the language, modes of thought, habits and customs specific to each people. It is with the aim of giving new impetus to this ancient cultural heritage, recognised as "intangible heritage" by UNESCO, that the ELAN project has taken shape. By respecting parity and relying on the solid relationships already established by the Naforo-Ba Company with 8 West African countries, ELAN aims to accompany 16 storytelling artists from the 8 partner countries throughout the production cycle.
Overview of expected productions
- 80 diverse stories collected at a rate of 5 stories per Artist in a perspective of contemporary exploitation
- 5 collections of 16 illustrated stories, produced in the "Ziri Collection" and printed at 5,000 copies each for retail
- contribution of 8 Illustrators (1 per country) to the above mentioned collections
- 3 capacity building workshops for stakeholders in the storytelling sector organised over 3 years (1 per year)
- production of 80 audio tales made available for digital downloading and listening platforms for a fee
- production of 80 brief audio tales or proverbs, to be broadcast on telephones by the mobile network operators in the 8 countries of the action
- participation in the Nuit du Conte en Famille (NCF) organised each year as both a live and a ticketed online event
Focus on the Naforo-Ba company
The Naforo-Ba Company was founded in 2000 in Abidjan (Côte d'Ivoire) with the aim of promoting African oral literature, both ancient and contemporary, and to promote its knowledge and practice. With extensive experience, the association of professionals has been able to forge special links with Burkina Faso, Benin, Niger, Mali, Togo, Guinea and Senegal.